![]() “I’d like my poetry to serve to amplify and speak these women’s stories, not speak for them,” she writes. Born in 1991, the year former comfort women came forward for the first time, Yoon preempts potential criticisms of appropriation in her brief introduction. Yoon recasts narratives of the Korean “comfort women” held captive under Japanese occupation during WWII in this devastating debut comprising persona poems. ![]()
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